Friday, June 22, 2018
Monday, June 18, 2018
Friday, June 1, 2018
Blackfoot at the Open Chord
Something I've learned over the past few years is the music of bands who are still around after a few decades only evolves. It's a privilege to know that what you heard back in their heyday is not what you'd hear if you were to see them live now or on their new albums. Certain examples of the evolution include playing a different genre, like country or blues, playing an acoustic version of a hit rock song, or changing band members over time, for various reasons.
Blackfoot is one of them.
However, what the current lineup (Jeff Shields, vocals; Tim Rossi, guitar and vocals; Matt Anastasi, drums; Seth Lester, guitar; and Derek DeSantis, bass) has done to keep the spirit alive is not lost on fans, both old and new. Those of you who are my age or older who listen to classic rock on the radio (or should I say the music we grew up with?) would invariably hear "Train, Train". For me, it's one of few songs I can identify in just one note, that matchless, incomparable harmonica intro that makes the sound of a train so real. Though I know I'm like a lot of people who wish music of that kind would never fade away, never lose its meaning or value, the only other thing to do is to keep it alive for as long as possible, doing everything one is capable of.
I have to give props for the staff at Open Chord: What a way to pack a venue on a weeknight in spite of the heavy rain!
Blackfoot in just a few words (as a start): A fresh new edge, with many unfathomable eccentricities that will give them their own distinct image. Nonetheless, they don't take for granted where they came from, the lasting legacy of the original sound of this band. Rock, that's the bottom line.
In addition to upholding this standard, lead singer Jeff Shields has awesome, almost philosophical words to say between songs. Strange as this may sound, they fascinated me so much, I made a point to tune in to them. Though songs would typically include heartbreak, anger, depression, as well as the antithesis of each of those woes, I loved hearing about what a man shouldn't do to a woman, money slipping through your fingers, and dealing with people who do all taking and no giving.
About two-thirds of the way into the show, they played "Train, Train." It was only appropriate to have everyone sing it.
Of special mention is lead guitarist Tim Rossi. For those who are occasional concertgoers, you haven't lived around live music until you see Tim play guitar with this teeth, among many other antics that hard as this is to believe, would put KISS to shame. Then again, this is Blackfoot...evolved...in a new generation, so I need not compare.
Blackfoot is one of them.
However, what the current lineup (Jeff Shields, vocals; Tim Rossi, guitar and vocals; Matt Anastasi, drums; Seth Lester, guitar; and Derek DeSantis, bass) has done to keep the spirit alive is not lost on fans, both old and new. Those of you who are my age or older who listen to classic rock on the radio (or should I say the music we grew up with?) would invariably hear "Train, Train". For me, it's one of few songs I can identify in just one note, that matchless, incomparable harmonica intro that makes the sound of a train so real. Though I know I'm like a lot of people who wish music of that kind would never fade away, never lose its meaning or value, the only other thing to do is to keep it alive for as long as possible, doing everything one is capable of.
I have to give props for the staff at Open Chord: What a way to pack a venue on a weeknight in spite of the heavy rain!
Blackfoot in just a few words (as a start): A fresh new edge, with many unfathomable eccentricities that will give them their own distinct image. Nonetheless, they don't take for granted where they came from, the lasting legacy of the original sound of this band. Rock, that's the bottom line.
In addition to upholding this standard, lead singer Jeff Shields has awesome, almost philosophical words to say between songs. Strange as this may sound, they fascinated me so much, I made a point to tune in to them. Though songs would typically include heartbreak, anger, depression, as well as the antithesis of each of those woes, I loved hearing about what a man shouldn't do to a woman, money slipping through your fingers, and dealing with people who do all taking and no giving.
About two-thirds of the way into the show, they played "Train, Train." It was only appropriate to have everyone sing it.
Of special mention is lead guitarist Tim Rossi. For those who are occasional concertgoers, you haven't lived around live music until you see Tim play guitar with this teeth, among many other antics that hard as this is to believe, would put KISS to shame. Then again, this is Blackfoot...evolved...in a new generation, so I need not compare.
But there's more: Tim's guitar solo of both "Amazing Grace" and "The Star-Spangled Banner," the latter for those who can have their own memory of the national anthem on strings, replete with pride and passion. I only hope someone has a recording of that. In that way, that can be a great immortal moment in rock history.
I just mentioned that some bands have made acoustic versions of their hit songs. How about this: An upbeat version of "Ohio," by Crosby, Stills, Nash, and Young? I'll allow you to have a few seconds to think about that, to try to wrap your mind around that. The best feature: Tim's long guitar solo.
Towards the end of the show, Jeff announced they are working on a new album. And I can't begin to imagine the even greater things they will deliver on it!
For those who didn't come out, I do have some pity for you. However, I have a consolation. You have an even better chance to see them again. On Saturday, September 1, they will be in Waco, Kentucky, with Sinful Lilly to open up for them.
Friday, April 27, 2018
An Interview with Jimmy D'Anda
My teen years can be described in several one-worded names: Heart, Slaughter, Poison, Warrant, Trixter, Whitesnake, Steelheart, and Bulletboys...just to name a few.
There is also the two-worded ones: Skid Row, Motley Crue...and Lynch Mob.
I had a wonderful opportunity to interview Jimmy D'Anda. Many of you remember him as the drummer in either Bulletboys or Lynch Mob. He is now playing in Lies, Deceit, and Treachery.
There is also the two-worded ones: Skid Row, Motley Crue...and Lynch Mob.
I had a wonderful opportunity to interview Jimmy D'Anda. Many of you remember him as the drummer in either Bulletboys or Lynch Mob. He is now playing in Lies, Deceit, and Treachery.
Your band history includes Bulletboys, Lynch Mob, and most recently Lies, Deceit, and Treachery. Are there any other bands you have been in over the past several years? Which one is your favorite and why?
I did a short stint with the late and wonderful Jani Lane from Warrant. That was a lot of fun since I wasn’t a fan back in the day, but ended up becoming a big fan of his. I also played for Mike Starr from Alice In Chains for a while as well.
Such a bummer those guys were very talented and had wonderful, beautiful souls. It was tough to see them go through what they went through.
My favorite band, of course, is LDT/BulletBoys, playing the old BulletBoys stuff. It is awesome and tons of fun. With Andrew Freeman singing, it’s just a bunch of screaming and laughing...
What is your favorite song you've played from Bulletboys, Lynch Mob, and LDT?
Playing anything off of the Freakshow record for me is wonderful. It was where I took my drumming to a new level. But playing songs like "F#9" and "Owed to Joe" make me feel like I’m 19 again.
What song (from any band) was the most challenging to record? Why was it that way?
I think my most challenging stuff is yet to come!
What lessons have you learned from being in the Bulletboys and Lynch Mob? How do you apply them to LDT or your personal life?
I think learning how to coexist with very strong personalities in such close proximity at all times. You learn how to work together and try never to forget you’re all fighting for the same victory
You recently announced that you left Lynch Mob. What have you learned from being in this band?
I learned that starting your own band and being the controller of your own destiny is and should be paramount in all musicians' lives.
Is there something you haven't accomplished yet musically that you'd like to do? What is it?
Ha ha ha! There isn't enough space on the Internet for this answer!!! Keep rocking as long as I can; that sums it up.
As can be expected from playing in three big names in rock music, you've played with many other bands. Which one is your favorite? What is one memory you have of them? Which one is your least favorite?
Playing our first arenas opening for Cheap Trick is up there as some of the best memories I will ever have. Least favorite: Opening up for Cheap Trick and embarrassing myself trying to do a drumroll for Bun E. Carlos and dropping my drumsticks.
When you look back at your career in the Bulletboys, what is one thing you wished you had known that you know now?
That the money would run out…and that drugs would waste so much valuable time
I saw you twice when you were with Lynch Mob. The most recent time, I noticed you licked your drumsticks before tossing them into the audience. It intrigued me. Do you have a certain name for this? Why do you lick them? Is there a certain story behind it? If so, please share.
No , no particular reason why I lick the sticks. But what I did learn about that is, you can’t do it once the sticks give you a splinter… Ouch.
If you were to be in a movie, what kind of role would you like to play? What kind of movie? Describe what your character would be like, look like, and have to overcome.
I’d like to play the guy that you don’t know if he’s a good guy or bad guy. All you do know is, you like him and he looks just like me.
There has been some publicity of "The Dirt," a movie about Motley Crue, which will be released in 2019. If there were a movie about either the Bulletboys or Lynch Mob, what actor would you like to portray you?
I think Meryl Streep is a phenomenal actress ...she'd do a great job.
I consider you one of my favorite drummers. You're so animated and talented. What brand drumsticks, hi-hat, crash or ride cymbal, bass drum, or bass drum pedal do you like to use, both for shows and practices?
I endorse Vater drumsticks, Paiste cymbals, DW hardware, and DW drums…The best!
What famous drummer made you decide you wanted to play drums?
Probably Peter Criss, Alex Van Halen, Joey Kramer, Tommy Lee, and Terry Bozio
Was there a certain song or album? If so, which one?
No particular song or album. I love hearing the drums ever since junior high school. From that moment on, I knew that was it, what I wanted to play.
Over the past year, we have lost Chris Cornell and Chester Bennington. Did either of them have any impact on you musically? What are your thoughts on their deaths? If you were to give any advice to any musician about drugs, what would it be?
I didn’t know either of them, but I was a big fan of both. Again, like other fellow musicians who have passed away from drugs and alcohol, people seem to forget there really isn’t a happy ending in those areas. I believe Chris was on specific medications and was taking other stuff as well. I’m not sure about Chester. All I know is, we’re losing way too many.
I as well as many others are still mourning the loss of Tom Petty. What impact has he made on you and your music? Do you have a favorite song or album?
I was a fan of the much earlier stuff. Again, just such a bummer that even older cats who have been around for a while are still trying to do the dance…
What other musical talents do you have? Do you play another instrument? Have you written any songs? Is there a certain song you've written that one of your previous bands has recorded?
I play guitar, bass, and a little bit of piano. I brought in a handful of ideas for BulletBoys, but the guys took them to the next level and made them "sexy". I did write the first single for the last Lynch Mob record.
Is there another talent you have, other than one in music? If so, what is it?
I love to play basketball and ride bikes. Not sure if that’s talent, but it sure makes me happy.
How do you balance playing in a band with your home life? How does your family support you in your music career?
It’s a delicate balance. Any musician will tell you that you want to work as much as you can and try to be home as well. There’s no easy way to do it. There's a lot of trial and error.
What do you see yourself doing in ten years?
Exactly what I’m doing now. Just plan to meet a lot more people. Right now for me, LDT is the place to be.
There's this trend on Facebook where people post their Top 10 All-time favorite albums (in no particular order) that made a lasting impact on them. What's on your list?
I just posted my Top 10 on Facebook. However, it’s not really my top 10. I even wrote that there’s no way to pick a top 10. But I like the following artists: Stevie Wonder; Al Green; Sly and Family Stone; Led Zeppelin; Van Halen; Devo; Fishbone; David Bowie; Black Sabbath; Blood, Sweat, and Tears; Chicago; Black Flag; Willie Nelson; Slayer; Run DMC,; and the Beastie Boys.
Jimmy, thank you so much for your time. I look forward to seeing you again, this time with Lies, Deceit, and Treachery.
Wednesday, April 18, 2018
Saturday, April 7, 2018
The Four Horseman at the International
It seems like tribute bands are a trend these days in live music. Right about now, there is one for every classic rock band. Music lovers want to see "the real thing," but most of the original band may be no longer with us. While I have such tribute bands as the Beatles and KISS, I have added Metallica to that list.
I may express this with ease, but there's a part of me that feels old; I can't wrap my mind around this. Has Metallica really made that big of an impact on my generation? After all, this was the reason I went out to see the Four Horsemen.
For the music snobs reading this, you may be shaking your head and wondering why I did this. Nothing can beat "the real thing". No one can come close to duplicating the raw metal James Hetfield elicited in "Master of Puppets," "Enter Sandman," and "For Whom the Bell Tolls." I certainly agree with that, but please hear me out...
The Four Horsemen: The Masters of Metallica (Sean Perry, lead vocals; Mike "Pete" McCollum, bass; Mikey Liles, lead guitar; and Rich Hattery, drums) of Cleveland, Ohio, came to Knoxville for the first time ever last night. They delivered well all of the hits we children of the '80s have loved and known this band for...and worn out the lettering of cassette tapes of back in the day.
For a band that had never set foot in the Volunteer State, they have this sixth sense of the state, city and specific venue to play. I loved (but wasn't entirely surprised at) how there is a remnant of people who love this music and the Knoxville music scene to come out and see a band play these early thrash hits. If knowledge serves me correctly, they played only songs from the early Metallica era, no later than The Black Album. I'm glad I wasn't the only one who had that same partiality.
Something (or the lack of it) that allowed the Four Horsemen more than plenty of time to play: no opening band. No worries: A Metallica tribute band needs two hours to pre-1991 songs. There was more to classic Metallica than I realized. Time for me to take Metallica 201 at the School of Rock. My pencil is sharpened and my mind is clear.
Those who go to the International on a regular basis know too well that when a band plays heavy bass and/or drums (particularly double bass drum), the floor vibrates or shakes. Music moving through you and righteous, raucous rock at their finest, hands down. In all the times I have been there, I don't think it had shaken in such a way that I had to regain my balance. What that tells me: Cliff Burton heard it and was pleased. Way to go, Pete! And props to the booking manager.
For all intents and purposes, a tribute band is to "imitate" the band they're playing,. That may include talking and acting on stage the way the original band would. Therefore, for anyone who's not partial to this genre might rethink going to a show like this. Let me make this public in saying you do not have to like Metallica to see them. Getting inside the head of someone with softer tastes in music, they can come to this show and maintain an objective mindset. In so doing, they will be impressed with how strong Metallica's impact has made, at this point, spanning over 30 years. You may even chuckle at Sean's reminisces of tapes, vinyl (and maybe even 8-tracks). Having said that, the Four Horsemen is a group of super-talented, genuinely passionate rock musicians who were inspired by those fast, intricate chords of "For Whom the Bell Tolls" or "One." Their way of saying "thank you" to Metallica is to play their music and to display a laid-back stage presence. Oh, and let me mention lead guitarist Mikey Liles' smile all through the show.
In addition to lead singer Sean Perry's outright talent in unleashing Metallica hits, his raps between songs (drinking PowerAde) were so appropriate, and I might even say, refreshing. A definite focus on originals, forsaking the ad nauseam remastering of albums and remembering a favorite song on "Side B" of a cassette tape or vinyl record of Ride the Lightning.
This show made me think of a lost aspect of music: Remembering forever the order of songs on an original album, not to mention knowing every chord, every beat, and every word. For those old-timers like me who have known Metallica since the Master of Puppets era (circa 1986), you'd know that "Battery" is followed by the title track, and "Enter Sandman" is followed by "Sad But True" on the Black Album. I'm sure that was the band's intention. This was the first rock show I had been to that made me remember something that was so important to me back then (and still is).
Approximately halfway through the set, they played the immortal "Enter Sandman." A lot of people had left after that song. They may have been satisfied they had heard this one song. That must have served as the make-or-break point. Apparently, I was eager to hear more, wanting to hear what else they would play. I'm glad I did. They played "Wherever I May Roam." I didn't think about this then, but it reminded me of when the cassette tape I had had of the Black Album broke when that song played. If I remember correctly, it was right before the drums come in at the beginning of the song (sorry, Lars). My going to this show may have been my way of paying tribute to that moment.
I may express this with ease, but there's a part of me that feels old; I can't wrap my mind around this. Has Metallica really made that big of an impact on my generation? After all, this was the reason I went out to see the Four Horsemen.
For the music snobs reading this, you may be shaking your head and wondering why I did this. Nothing can beat "the real thing". No one can come close to duplicating the raw metal James Hetfield elicited in "Master of Puppets," "Enter Sandman," and "For Whom the Bell Tolls." I certainly agree with that, but please hear me out...
The Four Horsemen: The Masters of Metallica (Sean Perry, lead vocals; Mike "Pete" McCollum, bass; Mikey Liles, lead guitar; and Rich Hattery, drums) of Cleveland, Ohio, came to Knoxville for the first time ever last night. They delivered well all of the hits we children of the '80s have loved and known this band for...and worn out the lettering of cassette tapes of back in the day.
For a band that had never set foot in the Volunteer State, they have this sixth sense of the state, city and specific venue to play. I loved (but wasn't entirely surprised at) how there is a remnant of people who love this music and the Knoxville music scene to come out and see a band play these early thrash hits. If knowledge serves me correctly, they played only songs from the early Metallica era, no later than The Black Album. I'm glad I wasn't the only one who had that same partiality.
Something (or the lack of it) that allowed the Four Horsemen more than plenty of time to play: no opening band. No worries: A Metallica tribute band needs two hours to pre-1991 songs. There was more to classic Metallica than I realized. Time for me to take Metallica 201 at the School of Rock. My pencil is sharpened and my mind is clear.
For all intents and purposes, a tribute band is to "imitate" the band they're playing,. That may include talking and acting on stage the way the original band would. Therefore, for anyone who's not partial to this genre might rethink going to a show like this. Let me make this public in saying you do not have to like Metallica to see them. Getting inside the head of someone with softer tastes in music, they can come to this show and maintain an objective mindset. In so doing, they will be impressed with how strong Metallica's impact has made, at this point, spanning over 30 years. You may even chuckle at Sean's reminisces of tapes, vinyl (and maybe even 8-tracks). Having said that, the Four Horsemen is a group of super-talented, genuinely passionate rock musicians who were inspired by those fast, intricate chords of "For Whom the Bell Tolls" or "One." Their way of saying "thank you" to Metallica is to play their music and to display a laid-back stage presence. Oh, and let me mention lead guitarist Mikey Liles' smile all through the show.
In addition to lead singer Sean Perry's outright talent in unleashing Metallica hits, his raps between songs (drinking PowerAde) were so appropriate, and I might even say, refreshing. A definite focus on originals, forsaking the ad nauseam remastering of albums and remembering a favorite song on "Side B" of a cassette tape or vinyl record of Ride the Lightning.
 |
| Mikey Lile, lead guitar |
 |
| Sean Perry, lead vocals |
 |
| Rich Hattery, drums |
 |
| "Pete" McCollum, bass |
This show made me think of a lost aspect of music: Remembering forever the order of songs on an original album, not to mention knowing every chord, every beat, and every word. For those old-timers like me who have known Metallica since the Master of Puppets era (circa 1986), you'd know that "Battery" is followed by the title track, and "Enter Sandman" is followed by "Sad But True" on the Black Album. I'm sure that was the band's intention. This was the first rock show I had been to that made me remember something that was so important to me back then (and still is).
Approximately halfway through the set, they played the immortal "Enter Sandman." A lot of people had left after that song. They may have been satisfied they had heard this one song. That must have served as the make-or-break point. Apparently, I was eager to hear more, wanting to hear what else they would play. I'm glad I did. They played "Wherever I May Roam." I didn't think about this then, but it reminded me of when the cassette tape I had had of the Black Album broke when that song played. If I remember correctly, it was right before the drums come in at the beginning of the song (sorry, Lars). My going to this show may have been my way of paying tribute to that moment.
Friday, March 23, 2018
Head First by Prowess
Rock music-a genre that is either really, really loved or really, really hated. It's had its ups and downs, victories and struggles, been mocked and frowned upon by society, and has had its fair share of stereotypes.
As for me, it is the one genre (other than blues, classical, and jazz) that motivates me, makes me feel I can do anything.
That and more is what I feel when I listen to Prowess' (Charlotte, North Carolina) debut album, Head First. To the best of my knowledge, this is the first debut CD that starts off with the sound effects of someone in battle, "Thunder Underfoot". "Warriors, are you ready?...CHARGE!"
That they do in a mere five songs.
"Show Me"
"Killing a Giant"
"Overboard"
"Shaker""
"No Survivors"
It's as if certain members of Tesla, Def Leppard, and KISS had sat with them in the studio and advised them of the fun, the underlying yet overpowering drive, and attraction to the opposite sex, respectively, that all and more are staples in rock music, even today. Those three and more are what has amazed me about this CD, which at this writing, I must have heard at least a dozen times, while simply going about life.
It's in "No Survivors" that I hear "We are the warriors, take no prisoners", in "Show Me," "Somebody turn the darkness to day...There's gotta be somethin' better than this...You gotta fight, you can't let it be...You gotta fight your heart out...You're not the only one to ever feel alone" in "Killing a Giant." Let me go out on a limb and say that "Shaker" is one of those songs a rock band just has to have. A song like that is so rare these days.
While I could talk ad nauseum (and even after the cows come home) about how great the music sounds, I will emphasize a feature in rock bands I don't often get an opportunity to notice: the backup vocals. To be able to choose a few selections would be impossible and would not do justice for the rich talent I hear in them. What I will say is, they flow so well even the so-called tone-deaf could sing them.
It's in my listening to Prowess that I will try to no longer lament that rock music is dead; please join me. We lifetime lovers of rock just have to search longer and more deeply to find it.
However, what is mostly non-existent in today's rock music, even with those with classic rock elements to it, is making it to where the listener feels they can do anything. I can envision kids listening to Head First, like the ones in the videos where they listen to Motley Crue or AC/DC. With that said, I suggest anyone, homemaker, fast-food cashier, construction worker, nurse, lawyer, or CEO of a top-five company listen to this CD. If they do, they will all feel like they can do their part to, as President Donald Trump says, "Make America Great Again."
Morever, Prowess needs to be played by those serving in the military, going through a hard time in their lives (with their career, family, or their health), before a motivational speech, and at marathons (having run in five, myself). Coming from me, that by no means is an exhaustive list of places and events I'd suggest. You may think I've gone off the deep end. Obviously, as the bridge in "Overboard" says, "I'm going over."
As for me, it is the one genre (other than blues, classical, and jazz) that motivates me, makes me feel I can do anything.
That and more is what I feel when I listen to Prowess' (Charlotte, North Carolina) debut album, Head First. To the best of my knowledge, this is the first debut CD that starts off with the sound effects of someone in battle, "Thunder Underfoot". "Warriors, are you ready?...CHARGE!"
That they do in a mere five songs.
"Show Me"
"Killing a Giant"
"Overboard"
"Shaker""
"No Survivors"
It's as if certain members of Tesla, Def Leppard, and KISS had sat with them in the studio and advised them of the fun, the underlying yet overpowering drive, and attraction to the opposite sex, respectively, that all and more are staples in rock music, even today. Those three and more are what has amazed me about this CD, which at this writing, I must have heard at least a dozen times, while simply going about life.
It's in "No Survivors" that I hear "We are the warriors, take no prisoners", in "Show Me," "Somebody turn the darkness to day...There's gotta be somethin' better than this...You gotta fight, you can't let it be...You gotta fight your heart out...You're not the only one to ever feel alone" in "Killing a Giant." Let me go out on a limb and say that "Shaker" is one of those songs a rock band just has to have. A song like that is so rare these days.
While I could talk ad nauseum (and even after the cows come home) about how great the music sounds, I will emphasize a feature in rock bands I don't often get an opportunity to notice: the backup vocals. To be able to choose a few selections would be impossible and would not do justice for the rich talent I hear in them. What I will say is, they flow so well even the so-called tone-deaf could sing them.
It's in my listening to Prowess that I will try to no longer lament that rock music is dead; please join me. We lifetime lovers of rock just have to search longer and more deeply to find it.
However, what is mostly non-existent in today's rock music, even with those with classic rock elements to it, is making it to where the listener feels they can do anything. I can envision kids listening to Head First, like the ones in the videos where they listen to Motley Crue or AC/DC. With that said, I suggest anyone, homemaker, fast-food cashier, construction worker, nurse, lawyer, or CEO of a top-five company listen to this CD. If they do, they will all feel like they can do their part to, as President Donald Trump says, "Make America Great Again."
Morever, Prowess needs to be played by those serving in the military, going through a hard time in their lives (with their career, family, or their health), before a motivational speech, and at marathons (having run in five, myself). Coming from me, that by no means is an exhaustive list of places and events I'd suggest. You may think I've gone off the deep end. Obviously, as the bridge in "Overboard" says, "I'm going over."
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